Olivia Lynn’s single might have been late to its own release party but its eventual appearance has been worth the wait. Through no fault of its own, ‘Little Miss Nightmare’ was taken down from Spotify (along with the rest of Lynn’s material) and only reinstalled after the tenacious work of Lynn and her parents. TheContinue reading “Olivia Lynn – Little Miss Nightmare”
Author Archives: Gareth Williams
Amy-Jo – Dumb
There is something undeniably tasty about Amy-Jo’s latest release. Not just the riff of its chorus, playing so delectably on its title, ‘Dumb’, but the assured put-downs and playful interludes too. This is her response to the mansplainers and misogynists who would have her “sat on my phone in the dark”. The kind that likeContinue reading “Amy-Jo – Dumb”
Bronnie – Sedona Sunrise
Bronnie delivers what you might expect on her sophomore album ‘Sedona Sunrise’. An enticing mix of country-pop-punk feature across twelve tracks to mark a now-signature style. These are blended with well-written choruses and trademark themes that can only stand her in good stead as she settles over in Nashville. The title track illudes to thisContinue reading “Bronnie – Sedona Sunrise”
Gig Diaries – Good Company (Jun 2026 edition)
The celebration of Good Company’s first anniversary was rather understated. At least in terms of sound. For rather than some of the punchy country and acoustic rock that have been a staple so far, this songwriters’ round leant heavily into whimsical folk. Not that the genre that host Katy Hurt is known for took aContinue reading “Gig Diaries – Good Company (Jun 2026 edition)”
Nia Nicholls – Marionette
What I love most about the new EP from Nia Nicholls is the surprising styles that have arisen in her music. For all that the Swiftian comparisons of the past remain, there are also elements of pop that have been hard-pressed into ‘Marionette’ to create sounds more retro than Taylor herself. Take ‘Movies from Cannes’Continue reading “Nia Nicholls – Marionette”
Hollie Rogers – Everything’s Fine
There is a seamless transition between the last and most recent of Hollie Rogers’ albums. The eclectic nature of both ensures that ‘Everything’s Fine’ builds on the strong foundations laid with ‘Criminal Heart’. Once again, she travels along a spectrum of genres on her latest record, using the music to compliment her storytelling which remainsContinue reading “Hollie Rogers – Everything’s Fine”
Amy-Jo – Hold Your Horses
Pathetic fallacy. A literary term for when the weather reflects a character’s emotions. And here, looking out the window at the rain and blue sky beyond, is what represents mine after the song I’ve just heard. ‘Hold Your Horses’ could have been written for the teenage me. With my “head to the ground” as IContinue reading “Amy-Jo – Hold Your Horses”
Mared – Everything I Left Behind
Mared’s latest EP washes over the listener like waves on a shore. If Sian Eleri is yet to play it on her Chillest Show then it’s strongly recommended. ‘Everything I Left Behind’ exists in a liminal space, floating between alt-folk, RnB and electro-pop. Fellow Welsh artists Georgia Ruth and Al Lewis come to mind inContinue reading “Mared – Everything I Left Behind”
Amy-Jo – Hypocrite
Sat between a mainstay of UK Country music and a Nashville singer-songwriter, Amy-Jo holds her own. It is testament to how far she’s come that the level of performance between her, Two Ways Home and Regan Stewart is seamless. Her rendition of ‘Hypocrite’ at the latest Good Company Songwriters Round self-assured and unwavering. It isContinue reading “Amy-Jo – Hypocrite”
Taynee Lord – Still Searching
Taynee Lord continues her country mash-up of pop and rock with her latest single ‘Still Searching’. Taking popular symbols from fairytales to tell her own story of love in a modern world. She is honest and unrelenting in her pursuit of ‘the one’. The central image of the frog is two-fold: both representative of thoseContinue reading “Taynee Lord – Still Searching”
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