The Kazimier Stockroom was once just that it seems. With a crowd bundled in beneath neon strip-lights and antique odds and ends. The music echoing through the walls from the adjoining public garden is, at first, a worrying distraction. But once Amelia Coburn begins her set (the latest on her UK tour) thankfully, the focus is all on her.
With a trio of stringed instruments at her disposal, and support from her support Robyn Errico on piano, Amelia enveloped her audience in an enchanting hour of Folk. Many of her songs coming from her debut album, ‘Between the Moon and the Milkman’, but there was plenty of opportunity for some new content too. A mix of gently flowing and fast running music that brought to life mostly autobiographical lyrics from almost two decades of songwriting.
The audience, bunched tightly together in this sold-out gig, played their part by attentively listening. The moments of audience interaction adding friendly humour to the evening. Amelia has clearly honed her stage presence, calmly in control of proceedings from start to finish. One or two slip ups were wonderfully laughed off while she wholly appreciated the off-hand comments and clap-along participation towards the end.
It all went by rather pleasantly. A midweek gig with particularly good timings, enabling this North Walian to return home from Liverpool in good time. I left energised by Amelia’s set – simple in its acoustic rendering yet delivered with a vibrancy as colourful as the venue’s lighting – walking back down Seel Street much lighter than when I came.
This was written after Amelia Coburn’s gig at the Kazimier Stockroom in Liverpool on 12th February 2026. Check out Amelia’s future tour dates here.
Featured image (C) Amelia Coburn
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